Music Reviews
Deceased - Surreal Overdose
Written by Liu   
Saturday, 16 July 2011 13:21

Shrieks From The Hearse Records

Sometimes, good things come to those who wait. This is a philosophy one must have if you are a Deceased fanatic. Their last album, As The Weird Travel On, was delivered six years ago and was perhaps the most underrated album of 2005. Several things have changed in that time, most notably the retirement of guitarist Mark Adams from music altogether. The band finally found the time this year to regroup and put to tape their next death metal monstrosity.

This is death metal done right. Deceased have their own niche within the genre, one that doesn't really have classification. They may be heavier than that fat girl you once took home, but they aren't brutal death metal. They have enough melody to make Dave Murray and Adrian Smith smile, yet they certainly do not belong in the melodic death metal genre. They possess intricacies and nuances, but don't string together riff after riff after riff mindlessly like many in the technical death metal genre. No, Deceased is above all that nonsense. They are just Deceased, death metal as it should be, presented as is and with no apologies.

Surreal Overdose is probably their most manic album since Luck Of The Corpse. The tunes are fast and in your face, with the aggression amped up from their last two albums. As soon as Skin Crawling Progress begins, you are assaulted with a barrage of riffs and then King Fowley's menacing vocals. He wastes no time in narrating his chilling tales of horror and doom. It's amazing that he never gets short of breath as he goes through his horrid tomes. King is also back behind the drum kit, sitting it out the last time due to complications with a blood clot that almost ended the maniac. It doesn't sound like he's lost a step either. He's all over the kid like a madman, sounding much more natural and fluent than a lot of the protools assisted hitters out there.

Last Updated on Saturday, 16 July 2011 14:12
Read the full review [Deceased - Surreal Overdose]
 
Babylon Rising Festival w/ Rotting Christ - April 16, 2011
Written by Liu   
Monday, 18 April 2011 16:06

Babylon Rising Festival: Rotting Christ, Infernaeon, Generichrist and Death Legion
April 16, 2011
La Repuesta, Santurce, Puerto Rico

Start time on the ticket said 7pm, but as usual the doors weren't open to the waiting crowd until a little before 9pm. Last month at the Saetith show the start time was delayed for two hours because two of the opening bands hadn't arrived yet. This time it was because the venue security had yet to arrive. It's always something, heh.

Death Legion was the first to hit the stage. You've probably never heard of them because this was their first ever gig in front of a crowd and they left quite an impression. The Puerto Rican band played a form of blackened death metal and set the tone for everything else that would transpire throughout the night. The band wore masks that made it look like they had dried mud on their faces with spikes sticking out. It was an interesting look. Despite being their first gig, they already possessed a tight sound that suggested that they've been around for far longer than they really have.

Up next was Generichrist from Tampa, Florida. Their sound can best be described as a mix between death metal, grindcore and thrash. All of their songs were quick jabs to the face, packed with intensity and anger. Lively song titles like Extinction Of The Jesus Freaks and My Lovely Whore gives you an idea of what the band is about. Their set was short and to the point, with vocalist Tony Anderson refusing to stand still, moving around the stage like a man possessed and with a purpose. That purpose of course was to bludgeon the senses of all who stood before them. They succeeded.

Last Updated on Monday, 18 April 2011 18:48
Read the full review [Babylon Rising Festival w/ Rotting Christ - April 16, 2011]
 
Satanic Warmaster - Nachzehrer
Written by Philip   
Tuesday, 12 April 2011 21:07

Werewolf Records

Satanic Warmaster has always been about tradition, and has long been the perfect embodiment of all that is pure, true, classic black metal. From Satanic Tyrant Werewolf’s raspy, feral vocals and raw, savage, and grim guitars to the black and white imagery of occult and folkloric evil, everything about Satanic Warmaster has been consistently executed to precise black metal aesthetic for over ten years. Never has Finland’s finest considered changing it up for mass appeal, or thought about throwing something new into the mix to broaden the sound. From the beginning the mission of Satanic Warmaster was just this: stay true to what black metal always has been and always will be. In addition to this mission, which is not necessarily explicitly stated but has been implied over this career is this: release consistently fantastic black metal that puts others to shame. The mission continues to be accomplished.

Five years passed between the last Satanic Warmaster full length and the latest offering, Nachzehrer (a German vampire-zombie that consumes the dead). Over that time there were no shortage of limited edition compilations, splits, and EPs released under the Satanic Warmaster name, but a full length of new material was becoming long overdue.

Last Updated on Sunday, 17 April 2011 00:35
Read the full review [Satanic Warmaster - Nachzehrer]
 
Yskelgroth - Unholy Primitive Nihilism
Written by Philip   
Monday, 11 April 2011 18:22


Regimental Records

Although Spain isn’t known for their black metal, don’t ever make the mistake of overlooking some of the excellent artists who call it home. One of these bands that is relatively new to the world is Yskelgroth, having formed in 2007. Though the band is new, the members carry years of experience from various death metal bands like Christ Denied and Golgotha. This means they've got multi-band death metal vocalist Dave Rotten on vocals. But Yskelgroth isn’t death metal – Yskelgroth is hyper-driven black metal.

Other than a demo, Unholy Primitive Nihilism is Yskelgroth’s first release. It runs at a little under 29 minutes, putting it in that odd space between being an EP or a full length album, the classification depending on who you ask. Does it really matter? Fuck no. This EP/album is intense, chaotic, and violent. I haven’t heard anything quite like it, though it does bring to mind bands such as Impiety, Angelcorpse, Revenge, and 1349. But it’s not to be mistaken for any of these quite different bands, and only fleetingly can find comparison between them, merely for the ultra-violence it imposes upon all within earshot. And it’s not a one-trick pony, predictable, or repetitive form of ultra-violence, it’s an assiduous and purposeful ultra-violence that never lays stagnant, never falls into a “brutality hypnosis”, but quickly and dynamically changes it up over and over again, throwing riff after riff at the ear, each riff by itself perhaps not always complex  and vicious, but, in the string of others its working with, always ultimately devastating. The guitar tone is abyssic and hateful, a bleak tank of crushing rancor. Percussion sometimes sounds mixed a bit low, but is usually perfectly heard above the chaos of guitars and echoed roars. Guitar solos make appearances for added bursts of intensity, not for flare. Daves voice ranges from death metal roar to demon-summoning shrieks, and most things in between, amplified by echoes and reverb. The rampage ravages onward…

Last Updated on Saturday, 16 April 2011 17:17
Read the full review [Yskelgroth - Unholy Primitive Nihilism]
 
Denouncement Pyre - World Cremation
Written by Philip   
Monday, 11 April 2011 17:40


Hells Headbangers Records

The Australian black-death machine known as Denouncement Pyre has been around for a bit, and finally released a proper full length on Hells Headbangers Records last year, after 7 years together as a band. For most of this time, Denouncement Pyre was just the two guys from Hunters Moon. On World Cremation, the vocals and guitars are handled by Decaylust, and drums are done by InVotan who hails from the lovable StarGazer.

After a plethora of demos, EPs, and splits, Denouncement Pyre finally focused their energy and sound and recorded this album. What we’ve got is a rather standard concoction of blackened death, or deathened black metal. There’s a little thrash in there, too. Really, when I say this is standard I mean it is standard in every way. It’s shockingly unremarkable considering some of the material on those EPs, and never really bites as hard as you’re hoping it will. The barbaric quality of past work is toned down, and the album sounds as though it’s got a ravishingly modern production in all ways.

Last Updated on Saturday, 16 April 2011 17:00
Read the full review [Denouncement Pyre - World Cremation]
 
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