Music Reviews
Nocturnal Blood - Devastated Graves - The Morbid Celebration
Written by Philip   
Monday, 08 November 2010 22:37


Hells Headbangers

I won’t make the mistake of calling Nocturnal Blood original, though that’d be a pretty hard mistake to make. Before even listening to the album the sticker on the cover will tell you this sounds like Beherit, Demoncy, and Von. There’s been a spike in bands doing this, and bestial black/death metal is making a “comeback”. Though it’s never really been gone, and it never was really big, it’s soaring into the picture like a bomber, fucking up all kinds of shit in its path.

Originality isn’t needed when you produce sounds of dirty, highly distorted, echoed barbarism that distance you from anything weak, mild, timid or even lacking in total holocaust action. From the influence of the bands mentioned, Nocturnal Blood, a surprisingly singular entity, takes no steps forward but accurately and perfectly pays homage to the artists that have defined a sound that, within the spectrum of metal, is unique and original.

Guitars and bass blend in a hypnotic and unrefined onslaught always at full speed with little regard for distinguishing separate strums of the strings, or even separate chords. This musical fistfuck is the signature of what many have coined bestial black metal. This description is earned, and has implications of madness.

Last Updated on Tuesday, 12 April 2011 08:11
Read the full review [Nocturnal Blood - Devastated Graves - The Morbid Celebration]
 
Dishammer - Under the Sign of the D-Beat Mark
Written by Philip   
Wednesday, 20 October 2010 14:28

Parasitic/Armageddon 

Throwing crust into metal sure isn't new, but it never gets old. Dishammer, from Spain, mix some violent thrash with some fueled-by-hate crust and have been doing so for 4 years now. Under the Sign of the D-Beat Mark is their latest EP and, like their previous releases, sounds like Discharge met Venom, Hellhammer, and Bathory in an alley after a rape convention and fucked and became impregnated with the Satanic seed of heavy metal, as the semen from each of those three bands somehow combined to form supersemen to combine with Discharge's crusty egg to create a disgusting breed of something wretched. While pregnant, Discharge then walked around for a few months drinking plenty of liquor and getting into fights, toughening its growing baby inside with many kicks to the stomach and more than a few smashed bottles over the flesh, so that it would come straight out of the womb fighting. That's exactly what happened, as noted in important history books. Dishammer is the name of this spawn, and I won't bother to tell you about how it grew up.

Last Updated on Tuesday, 05 April 2011 13:36
Read the full review [Dishammer - Under the Sign of the D-Beat Mark]
 
Blood of Kingu - Sun in the House of the Scorpion
Written by Philip   
Friday, 08 October 2010 18:14

Candlelight Records

Blood of Kingu is, to put it simply and inaccurately, Drudkh without the folk atmosphere. This is because the entire band is made up of Drudkh band members. You could say it's just Drudkh playing a different form of black metal, which is what I'll say. Half the band was also in the mighty black metal band Hate Forest. This half I'll also refer to as the Roman half, since that's the name of both of these men. It's not totally correct to say that Blood of Kingu sounds like a mix between Drudkh and Hate Forest, but to some extent that is accurate.  

Roman Saenko is on vocals in Blood of Kingu, and thus you will hear Hate Forest in these vocals -- the earth-shattering roars of some ancient kind of horror and blasphemy, a truly unique voice in metal and among my favorite vocalists. The man sounds nothing like anyone else in black metal, or anyone else in metal for that matter. His unmistakable beastly, guttural vocals are not the kind of vocals that make one envision a man trying his hardest to be "brutal", but it is a voice of genuine evil and rancor. 

Last Updated on Sunday, 14 November 2010 23:45
Read the full review [Blood of Kingu - Sun in the House of the Scorpion]
 
Prosanctus Inferi - Pandemonic Ululations of Vesperic Palpitation
Written by Philip   
Sunday, 19 September 2010 21:50

Hells Headbangers

Like a second holocaust, Prosanctus Inferi's  Pandemonic Ululations of Vesperic Palpitation is a death-worshiping onslaught of hatefilled demonic possession and infested vistas of horrific death that prevails above all notions of decency and modesty. Unlike a second holocaust, Pandemonic Ululuations of  Vespric Palpitation is very welcome in our world, and immediately has a place in appreciable  history of both music and art, because it succeeds at pulverizing the world in front of it in a hatestorm of blasphemy without committing mass genocide, which people understandably do not appreciate.


If you put Incantation, Profanatica and Nunslaughter into a blender, and hit BLEND, you would, more or less, pour out Prosanctus Inferi into your coffee cup. It would taste fantastic, and be a welcome flavor to an otherwise uninteresting palate of modern shit-headed metal.  Prosanctus Inferi create abominant soundscapes that recreate blasphemous landscapes unlike too many modern death metal bands, ultimately being more promising and devastating than your standard death metal band that plays by the formulas and understands the point of everything they set out to do. If anything, it seems Prosanctus Inferi understand the point better than most, and build the colossal storm of hate above it to reign down in unyielding falls. Prosanctus Inferi play a style that I like to nickname Apocalyptic Death Metal because it harbors end of times darkness and harm to all ears that lend themselves to its narcotic torment.

Last Updated on Sunday, 14 November 2010 23:46
Read the full review [Prosanctus Inferi - Pandemonic Ululations of Vesperic Palpitation]
 
Iron Maiden - The Final Frontier
Written by Liu   
Tuesday, 24 August 2010 18:00

Universal Music Enterprises

Four years after their last studio album and fresh off of a massive world tour that saw them visiting every corner of the Earth, Iron Maiden has finally delivered their latest studio opus, the daunting Final Frontier. Following their long runnng evolution, The Final Frontier is another album rife with a myriad of layers and deep complexities that continue to unravel even after the twentieth listen. If you're one of those that are frustrated with the band's growing propensity towards a progressive direction, then jump off of the train now. The band isn't writing for you. They aren't writing music for the diehard fan either. They're writing for themselves and they refuse to hold your hand in the matter. They're going to throw you into the deep end of the pool and your only options are to swim or drown.

Like the last album, A Matter Of Life And Death, The Final Frontier is packed to the brim with lengthy epics. Of the ten album tracks, six go past the seven minute mark. It was also the same way on the last album. Brave New World and Dance Of Death each had four tracks of similar length. Clearly a pattern can be seen emerging. The band obviously has the most fun in creating these massive songs and over time have chosen to concentrate more and more on them when it comes to songwriting. These have always been their greatest strength in my opinion and this direction has been working well for them. If it doesn't work for you, then you can always listen to something else.

Last Updated on Tuesday, 24 August 2010 20:19
Read the full review [Iron Maiden - The Final Frontier]
 
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