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Candlelight Records In a just and fair world one would
not be forced to wait eight whole years for legendary bands to release
substantial new material. This, my friends, is not a just and fair
world. 2001's Tara was, and still remains, a masterpiece
monument of metal. It showed us Absu reaching a level that only the
greats ever reach, consistently reminding us of their greatness and
amazing accomplishment through out the duration of the album. This is
not to imply that Absu had not achieved greatness before this release,
because they very clearly had. But Tara felt like the realization of all possibilities within the band up to that point. After the tidal wave of awesome that was Tara finally
subsided and gave people room to breath again and recover from whiplash
and broken necks, we awaited the next masterpiece. And we waited some
more. And then some obscure and hard to find mini releases were let
out, as well as a best-of compilation as a sort of teaser, to remind us
that Absu still existed and withheld its powers from our sight. But a
new full length album of all new Absu material was not appearing on the
horizon for quite a while.
A whole ten years ago, two years before Tara had even
been released, Proscriptor shared with us the news that the next album
would be simply called ABSU, and he even shared the track listing,
which was surprisingly similar to what it actually is, ten years later.
It seems some titles were changed, but that's not a lot considering
what can happen over ten years. This is impressive, to say the least.
It shows the dedication and the seriousness of the vision that the men
of Absu had. While Proscriptor is the only remaining band member from
the days ten years ago, it comes as no surprise that the music we hear
on the self titled, long anticipated Absu album reflects that kind of
dedication to a serious mission, and the kind of attention to detail
that we have come to expect of Absu. Absu is a worthy follow up to Tara, not without its share of brilliance and factors that make it uinique in the Absu discography. Tara
was the genius blend of highly accelerated riff-hungry thrash metal
with the black metal that made Absu a household name, and further
strokes of genius in the department of epicness. Absu sees the
band wandering into progressive territory, with what sounds like the
most compositionally complex and challenging music the band has
recorded to date. Some parts remind me of later Death, when Chuck
decided to get more adventurous, and other parts even remind me of a
more aggressive version of Emperor's middle to later days, as well as
more than a touch of Enslaved's style of progressive structure. But the
epic thrashing that was what cast such destructive spells from Tara
is still just as present on this album. The melody lines float so
swiftly and easily alongside the rapid-fire riffs in much the same way
they did on past efforts, making them something of an Absu signature.
And speaking of melody, the melodies present what I perceive to be
influence from a wide range of non-metal sources, surely intentional,
considering the lyrical content. The musical framework acts as a home
for the lyrics to reside inside of, having conformed somewhat to what
the lyrics are trying to say. Eight years later, the songwriting
capabilities seem to have advanced, as well. Not only is this musically
complex and dense, with so much to discover on repeated listens, but
the song structures are not what one would expect from anything in
black metal, thrash metal or any form of heavy metal. This is most
definitely progressive, and technical beyond doubt. I'd like to
say a little something about Proscriptor. Proscriptor is easily one of
metal's greatest living drummers, in my opinion. However, since this is
a review written by me, it is understood that everything I say here is
my opinion, so I need not qualify that last statement. I will simply
now state it as fact that Proscriptor is one of the finest living
drummers in all of metal. He is a rare breed, one who's drumming is not
simply rhythmic time-keeping and percussive accompaniment, but an
active and crucial element of the music. His voice is easily
recognizable in the genre, and as the voice of Absu, but his drumming
capabilities exceed most others. Proscriptor does not simply play fast
and aggressive, to the point at which you can no longer keep up.
Proscriptor brings another dimension to the music with his drumming,
that is matched by the brilliant guitar work. The magic of Absu is that
the final product really is greater than the sum of all the parts. Each
musician's performance is enhanced by the others' performances, and
also enhances the other performances. The resulting sound is one of a
veteran band that has honed a very tight, disciplined, and expert
sound. The band is now mostly new members, but this element is not lost
in the live setting. They have succeeded in transferring this sound to
the stage flawlessly. This album stimulates everything in the
senses that metal and adventurous music should stimulate. Do not make
the mistake of expecting this to be Tara part II, because Absu
refuse to reuse and repeat. This is new and suggests the possibility of
new directions in the future. It definitely gives us the more musically
and compositionally gifted side of Absu, but does not get carried away
in the display of shocking ability, and remains grounded to give us unforgettable riffs and the slight atmospheric expression of keyboards at their most effective.
| 1. | Between the Absu of Eridu & Erech | 04:08 |
| 2. | Night Fire Canonization | 03:19 |
| 6. | ...of the Dead Who Never Rest in Their Tombs Are the
Attendance of Familiar Spirits Including: A.) Diversified Signs
Inscribed/B.) Our Earth of Black/C.) Voor | 07:03 |
| 7. | Magic(k) Square Cipher | 04:49 |
| 8. | In the Name of Auebothiabathabaithobeuee | 03:26 |
| 10. | Those of the Void Will Re-Enter | 04:56 |
| 13. | Twix Yesterday, the Day & the Morrow | 00:58 |
9.6/10 |