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Written by Liu
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Wednesday, 04 August 2010 17:07 |
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Epic
I get kind of maddened whenever Ozzy Osbourne manages to scrape out another studio album. Regardless of the quality of the album (which tends to be pretty low given his output in the last two decades), the fanboy lemmings always crawl out of the woodwork, hailing the album as a great return and that the man still has "it". No, he does not have "it". In fact, I'd argue that he never did have "it", instead surrounding himself with excellent songwriters and stealing all of the credit. Anyway, all of that can be discussed on another day, for now we have an album called Scream to deal with. |
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Last Updated on Wednesday, 04 August 2010 21:35 |
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Read the full review [Ozzy Osbourne - Scream]
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Pain Of Salvation - Road Salt One |
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Written by Liu
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Thursday, 01 July 2010 16:46 |
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Inside Out
I just don't know where the hell to begin. I don't think that there's been another band that has taken such a drastic fall from grace in such a short amount of time. I used to eagerly anticipate new Pain Of Salvation releases. Now I just dread them, only giving them a chance out of a faint glimmer of hope that is usually wiped away once I push the play button. I know what they are theoretically capable of and don't think it's unreasonable to expect better. And Road Salt One isn't it.
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Last Updated on Thursday, 01 July 2010 23:19 |
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Read the full review [Pain Of Salvation - Road Salt One]
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Written by Liu
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Friday, 23 April 2010 17:42 |
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E1 Music
Overkill is one of the longest standing stalwarts of the 80's thrash metal boom. Along with peers Metallica and Megadeth, Overkill was releasing genre-defining classics that stand strong even today, but unlike those two other bands (and countless others), Overkill never strayed from their core metal sound. They did shift to a more groove-orientated sound, but they were still undeniably metal at a time when it was almost taboo to even utter the word. Despite sticking to their guns, it's hard to deny that the band's output in almost the last two decades has been spotty at best. With Ironbound however, the band has set out to reclaim their throne and show everyone else just how to do a proper thrash album in 2010.
The Green And Black sets things in motion. It's a meaty 8 minute slab of pure thrash goodness that any fan would eagerly eat up. All the hallmarks of 80's Overkill is present here: flesh tearing riffs, a titanic bass sound and Bobby Blitz's venomous vocals. This first song should be enough to put back the faith in any fan who lost interest in the band long ago. Next song is the title track. This is a battle cry for thrash fans everywhere, forged in metal and speed. If you can't pump your fists in the air to this song, chances are you are an amputee. If you can't headbang to this then take off the neck brace. Why'd you think Dio gave you a neck to begin with? To wreck it of course! |
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Last Updated on Friday, 23 April 2010 18:57 |
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Read the full review [Overkill - Ironbound]
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Maryland Deathfest 2010 review |
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Written by Chris Slack
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Friday, 28 May 2010 06:10 |
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Day Zero
We left the house at 730 to pick up friends and head to the airport. We picked up Scott then headed to the u-district to pick up Herb. After waiting 30 minutes for him to get ready I realized I left my fest tickets at home. My stepson Tony utilized the radar detector in his souped up Dodge Charger to get us there and back to the airport in record time so all was good.
I took a couple of Tylenol PM's before getting on the plane so I slept well through both flights. Everything on the trip to Baltimore was smooth and without incident except for a mechanical incident which kept us on the tarmac in Chicago for an extra 30 minutes. My mp3 player kept the crying children at bay and I stealthily vaped my nicotine continuously while I was awake.
We arrived in Baltimore at around 930 AM, spent a little time in the hotel room then headed out for lunch. We wound up at a large sports bar called “Luckie's Tavern” and had some beer, crab cake sandwiches, deep fried pickles, mini-crab cakes and more beer. Good food but the service was a little slow which was puzzling since the lunch rush was over.
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Last Updated on Wednesday, 30 June 2010 20:32 |
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Read the full review [Maryland Deathfest 2010 review]
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Interview with Chrigel Glanzmann from Eluveitie |
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Written by Chris Slack
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Saturday, 17 April 2010 11:37 |
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Chris Slack - First off, what is the question that you are the most tired of hearing during interviews? I like to check so I can avoid asking it.
Chrigel Glanzmann – I don’t care, I really don’t care. Maybe a month ago I was like fuck, I can’t do it any longer. I mean it’s always the same when a new album is released all the interviews start and from this year from the beginning of the year until now I have had like 140 interviews about the new album. Probably something like “Can you tell me something about the recording process. A question like that which I answered 140 times. Like two months ago or something I was like oh god no,I can’t do it anymore, not one more time. But really I don’t care, there are no questions you can’t ask.
CS – Eluveitie has been doing their thing for quite some time. Over the past few years the folk metal thing has been getting a lot bigger. A lot of bands are getting together and doing a similar kind of music. What are your thoughts on that?
CG – I don’t care. To be honest I don’t think that much about it. For us in a way that good that this type of music is evolving and growing. I notice it is growing over here in the states in the last couple years. In Europe it’s kind of exploding in countries like Germany it’s the biggest metal genre of all. Pagan metal tours are the biggest shows, much bigger than death metal or whatever. So it’s good for us, but yeah, I don’t think that much about it. I mean none of us personally listens to that kind of music. I mean we don’t know much about the whole scene or whatever. |
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Last Updated on Sunday, 25 April 2010 09:06 |
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Read the full interview [Interview with Chrigel Glanzmann from Eluveitie]
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