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Other 1964 films in the PNW
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- Written by: Mortado
- Category: The 1960s in Northwest Cinemas
- Hits: 102
This is a media collection from other noteworthy films that played the Pacific Northwest in 1964 and some spook show-type stuff. While these don't have enough content to warrant their own pages they should not be dismissed :)
Little Red Riding Hood (AKA "La caperucita roja," 1960)
“La Caperucita Roja” is a 1960 film that offers a whimsical take on the classic fairy tale of Red Riding Hood. The movie infuses the traditional story with humor and fantasy, featuring a cast of charming characters. The protagonist, a young girl known as Little Red Riding Hood, embarks on an adventure filled with unexpected companions, including a loyal dog named Duke and a crafty skunk. These characters add a layer of comedy and delight as they join Red on her journey through the woods, where she encounters the infamous Wolf. The film is a delightful blend of drama and fantasy, appealing to audiences of all ages with its vibrant storytelling and imaginative twists on a beloved narrative. It’s a nostalgic piece that captures the essence of the era while providing a fresh perspective on a tale as old as time.
Director: Roberto Rodríguez, K. Gordon Murray
Writers: Fernando Morales Ortiz, Ricardo Garibay, Charles Perrault
Stars: María Gracia, Manuel 'Loco' Valdés, Santanón
September 13, 1964 ad (Seattle)
September 15, 1964 ad (Seattle)
March 12, 1964 "Insectathon" ad (Seattle)
April 3, 1964 "Insectathon" ad (Seattle)
September 10, 1964 "House of the Living Dead" ad (Portland)
Roger Corman, Prolific Filmmaker and Hollywood Icon, Dies at 98
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- Written by: Mortado
- Category: Reviews
- Hits: 434
Roger Corman, the legendary director and producer who revolutionized B-movies and nurtured the careers of countless filmmakers, passed away peacefully on May 9, 2024, at his home in Santa Monica. He was 98 years old.
Roger Corman, born in Detroit in 1926, wasn't destined for Hollywood. An engineering degree from Stanford seemed to set him on a different path. But a flicker of cinematic passion ignited during his college years, leading him to trade textbooks for scripts in the bustling world of 1950s Hollywood.
Corman started at the bottom, quite literally, as a messenger at 20th Century Fox. He quickly worked his way up, becoming a story analyst with a keen eye for potential. This wasn't enough for the ambitious Corman. He craved the director's chair, and with the shoestring budget B-movie market booming, his opportunity arrived.
His early films were a whirlwind of genres – science fiction, horror, biker flicks – all churned out with breakneck speed and razor-thin budgets. Corman became a master of efficiency, squeezing the most out of every penny and every minute. This wasn't just about profit; it was a filmmaker's boot camp, where young directors like Francis Ford Coppola and Martin Scorsese learned the art of storytelling under pressure.
Corman's genius wasn't just in exploitation. He recognized the power of genre films to tap into societal anxieties. His Edgar Allan Poe adaptations, featuring the hauntingly charismatic Vincent Price, explored themes of death and madness with surprising depth.
New World Pictures, Corman's production company, became a haven for budding auteurs. Directors like James Cameron and Ron Howard honed their skills crafting creature features and car chases under Corman's watchful eye. He wasn't just a producer; he was a mentor, a Hollywood godfather who saw raw talent and nurtured it into greatness.
Corman's legacy extends far beyond the B-movie label. He was a true maverick, a pioneer of independent cinema who defied Hollywood norms. He proved that genre films could be entertaining, thought-provoking, and even launch the careers of some of the most celebrated directors in history.
Roger Corman, the "King of the Cult Classics," leaves behind a filmography that's a testament to his boundless creativity and entrepreneurial spirit. He will be remembered as a filmmaker who democratized moviemaking, proving that gripping stories could be told on any budget, and that Hollywood dreams could start with a B-movie.
Psychomania/Monstrosity (1963) in the PNW
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- Written by: Administrator
- Category: The 1960s in Northwest Cinemas
- Hits: 155
This is a collection of media from the initial runs of "Psychomania" (1963) and "Monstrosity" (1963) and in the Pacific Northwest. This reissue pairing only appeared to play in Portland and the PNW was skipped for the initial releases of both films.
Click on images for larger versions.
Psychomania (AKA "Violent Midnight," 1963)
“Violent Midnight” is a 1963 film that delves into the unsettling occurrences in a small New England town. The narrative centers around Elliot Freeman, a war veteran and portrait artist with a troubled family history, who finds himself entangled in a web of suspicion following a series of brutal murders near a women’s college. As the town grapples with fear and mistrust, Freeman’s past and present actions draw the attention of the local authorities, leading to a tense exploration of truth and perception. The film weaves a complex tapestry of relationships and secrets, all set against a community on edge. With its blend of psychological intrigue and social commentary, “Violent Midnight” offers a gripping cinematic experience that reflects the darker aspects of the human psyche.
Director: Richard Hilliard
Writers: Robin Miller, Richard Hilliard, Mann Rubin
Stars: Lee Philips, Shepperd Strudwick, Jean Hale
Buy Psychomania (AKA "Violent Midnight," (1964) DVD on Amazon (SPONSORED)
Monstrosity (AKA "The Atomic Brain," 1963)
“Monstrosity,” also known as “The Atomic Brain,” is a 1963 science fiction horror film that explores the dark side of human desire for eternal youth and beauty. The story unfolds in the eerie mansion of Mrs. Hettie March, a wealthy and evil old woman who dreams of transferring her consciousness into a young woman’s body. In her clandestine laboratory powered by atomic energy, the mad scientist Dr. Otto Frank conducts ghastly experiments in brain transplantation, with results ranging from the grotesque to the tragic. As Mrs. March’s obsession grows, she lures three unsuspecting women to her home under the guise of employment, only to evaluate them for her sinister plan. The film delves into themes of identity, mortality, and the ethics of science without boundaries, all while building suspense that keeps the audience on the edge of their seats.
Directors: Joseph V. Mascelli, Jack Pollexfen
Writers: Vy Russell, Sue Dwiggins, Dean Dillman Jr.
Stars: Marjorie Eaton, Frank Gerstle, Frank Fowler
Buy Monstrosity (AKA "The Atomic Brain," 1963) DVD on Amazon (SPONSORED)
December 15, 1964 ad (Portland)
December 16, 1964 ad (Portland)
December 17, 1964 ad (Portland)
December 18, 1964 ad (Portland)
Psychomania (AKA "Violent Midnight," 1964) poster
Monstrosity (AKA "The Atomic Brain," 1963) poster
Monstrosity (AKA "The Atomic Brain," 1963) trailer
Buy Monstrosity (AKA "The Atomic Brain," 1963) DVD on Amazon (SPONSORED)
First Men in the Moon (1964) in the PNW
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- Written by: Mortado
- Category: The 1960s in Northwest Cinemas
- Hits: 300
This is a collection of media from the initial runs of "First Men in the Moon" (1964) in the Pacific Northwest.
Click on images for larger versions.
First Men in the Moon (1964)
In 1964, a multinational lunar expedition sponsored by the United Nations lands on the Moon. The astronauts believe they are the first lunar explorers, but they quickly discover a Union Jack flag on the lunar surface and a note mentioning Katherine Callender. The note claims the Moon for Queen Victoria, revealing that a British expedition actually preceded them by 65 years. The film follows the investigation team’s quest to find the last survivor of the Victorian crew, Arnold Bedford. Through flashback, Bedford recounts his extraordinary journey to the Moon in 1899, involving an inventor named Joseph Cavor and a mysterious substance called Cavorite that defies gravity. As they explore the Moon, they encounter unexpected challenges and unearth secrets hidden beneath its surface. “First Men in the Moon” blends contemporary space race excitement with a captivating Victorian-era adventure.
Director: Nathan Juran
Writers: Nigel Kneale, Jan Read, H.G. Wells
Stars: Edward Judd, Martha Hyer, Lionel Jeffries
Buy "First Men in the Moon" (1964) bluray on Amazon (SPONSORED)
Buy "First Men in the Moon" (1964) DVD on Amazon (SPONSORED)
November 24, 1964 ad (Seattle)
November 25, 1964 ad (Seattle)
November 25, 1964 ad (Seattle)
November 26, 1964 photo (Seattle)
November 26, 1964 ad (Seattle)
January 11, 1965 photo (Portland)
January 12, 1965 ad (Portland)
January 13, 1965 ad (Portland)
January 14, 1965 ad (Portland)
January 15, 1965 ad (Portland)
January 15, 1965 photo (Portland)
First Men in the Moon (1964) poster
First Men in the Moon (1964) trailer
Buy "First Men in the Moon" (1964) bluray on Amazon (SPONSORED)
Buy "First Men in the Moon" (1964) DVD on Amazon (SPONSORED)
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