2015 in review
Posted: Fri Jan 08, 2016 4:55 pm
Make no mistake, 2015 was an exciting and often outstanding moviegoing year, but it was definitely the year of the fantasy franchise (both recent and revived) and I was forced to stretch my definition of "horror" to even give the category a decent run. Plenty of science fiction, monsters, superheroes and superagents... not so much "horror." But let's start with our favorite genre all the same...
THE GOOD
The first decent horror release I caught in 2015 was one of the most acclaimed: the indy sleeper IT FOLLOWS, which was both thoughtful and creepy as sex stopped being a mere metaphor and became the source of the relentless and tangible threat.
UNFRIENDED was certainly one of the better examples of minimalist horror; holding one's attention without ever leaving a progressively lethal video chat session.
EX MACHINA is certainly more science-fiction than "horror," but the element certainly came into play before it was all over--the film itself was one of the best works Stanley Kubrick never lived to make.
THE GALLOWS played especially well for anyone who happened to be involved in live theatre--the setting and some genuine surprises brought this out of the "found footage" rut.
I didn't care much for THE GIFT when I first saw it (and again, it's pushing it to consider it "horror") but I had reason to re-evaluate what had gone on before and I certainly have to hand it to the cast for making it work. That dream sequence was still a cheat, though.
SINISTER 2 was about as good a sequel as could have been made to Scott Derrickson's original (which, but for the box office, scarcely called for one), but it still fell short of the top slot.
THE VISIT was a playful and creepy surprise from M. Night Shyalaman--moving to a micro-budget and a lack of 'name' stars (not to mention a lack of pretension) was the best move he could have made.
KNOCK KNOCK was one of several 'limited-release' films I only saw on-demand, but Eli Roth's remake of DEATH GAME featured an outstanding cast and proved that he could pull off an effective gore-free feature... even if it did raise some very disturbing questions (try this scenario with two men and one single mother and you've automatically got a completely different film).
Also straight to cable (for the most part) was the intense Western BONE TOMAHAWK... essentially THE SEARCHERS meets CANNIBAL HOLOCAUST. Even though it's more quest Western than "horror film," it needs to be invoked in light of Eli Roth's OTHER 2015 release (later).
CRIMSON PEAK was a sumptuous Gothic terror tale as only Guillermo del Toro could have pulled off and one of the finest films of the year as I saw it.
KRAMPUS was good anti-Christmas fun from the director of TRICK 'R TREAT and is going to stick around for many a Christmas to come.
And my absolute favorite of 2015 was the one virtually nobody saw... VICTOR FRANKENSTEIN was a return to all the things that make classic monster movies CLASSIC monster movies... and I enjoyed every minute of it.
THE MIDDLE GROUND
Not much to mention here... 2015 horror either tended to be very good or downright awful.
THE LAZARUS EFFECT wasn't bad for a 'found footage' Stephen King rehash (without Stephen King).
Eli Roth's 2013 holdover THE GREEN INFERNO was a typically raucous and attitude-filled take on the Italian cannibal movies of the 1980s, though it trailed off into a completely unsatisfying ending. And then BONE TOMAHAWK had to come along and show us how it's REALLY done.
And SCOUTS GUIDE TO THE ZOMBIE APOCALYPSE was one of those movies that I wanted to love (after it got off to a great start), but it ran out of steam long before it ran out of sight gags.
THE BAD
Okay, nobody saw VICTOR FRANKENSTEIN. But would it have KILLED Hammer films to have tried something like that instead of the deadly dull and utterly pointless THE WOMAN IN BLACK 2: ANGEL OF DEATH?
How about that POLTERGEIST remake? Oh, you skipped it? Lucky you. I bit. So did the movie.
INSIDIOUS CHAPTER 3 was just what we were all waiting for... a prequel featuring a character whose hash was already settled on screen. Had this been the VERY first film in the series, it might have climbed a rung or two. As such, it's completely redundant.
THE VATICAN TAPES was yet another "found footage" movie that was going to blow the lid off... just what, exactly? Do CRANK 3-D before it's too late, okay?
And speaking of "found footage?" After PARANORMAL ACTIVITY: THE GHOST DIMENSION, we just may have finished it off.
But the very, VERY worst film of 2015 (and don't take that as a recommendation) was the pathetic, boring, shrill and utterly worthless THE HUMAN CENTIPEDE 3: FINAL SEQUENCE. (Notice how I did NOT use the word "offensive" no matter how the film begged me to?) This one-trick pony should have been put out to pasture a LONG time ago.
Okay, let's run through the franchises and the other et cetera...
Superagents: I wouldn't mind seeing more KINGSMAN: THE SECRET SERVICE, that's for sure. And SPECTRE continued to fine-tune the edge between classic and new-age Bond to highly-entertaining effect. WILD CARD was an okay remake of HEAT with Jason Statham in for Burt Reynolds... and Statham was certainly one of the best things in SPY (much as I dislike seeing him play second banana). On the other hand, THE TRANSPORTER: REFULED proved they could carry on that series without him--or it would have had anybody gone to see it. But the most shamefully underrated and ignored such release of 2015 was Guy Ritchie's good, old-fashioned 60s spy take on THE MAN FROM U.N.C.L.E.
Superheroes... THE AVENGERS: AGE OF ULTRON was a surprisingly lackluster followup to the "sure thing" franchise, but I'm still looking forward to CIVIL WAR. ANT-MAN was a lot of fun, of course. FANTASTIC 4 was anything but.
Other franchises included the breathtakingly awesome MAD MAX: FURY ROAD, JURASSIC WORLD (stupid characters but super monsters), the completely wonky but hugely entertaining TERMINATOR: GENISYS, the snore-inducing extended conclusion to the HUNGER GAMES saga (MOCKINGJAY: PART 2) and, of course, STAR WARS: THE FORCE AWAKENS which made a liar out of my psychic powers and rekindled the old magic along with some new in a way the prequels never could.
Non-franchise sci-fi (minus EX MACHINA) that I saw included the amusing but highly derivative CHAPPIE and the high-concept (and little else) PIXELS.
Non-genre franchise films: VACATION was still pretty funny, and CREED was expertly-handled ROCKY formula.
And in the days while we still had an Osio ("arthouse" to you out-of-towners), there was a last round of low-profile suspense dramas and assorted miscellany... THE LOFT was an engaging remake of a Dutch "locked room" mystery I never saw. MAPS TO THE STARS was David Cronenberg at his most depressing and ugly. WILD TALES was a whoppingly good "revenge" anthology--not to be missed! CUT BANK was a disappointing FARGO wannabe, and THE LIVING (the last film I saw to date at the Osio) was a sad and ultimately predictable take on the futility of vigilante revenge... but the latter two films DID feature some surprisingly strong psychopathic turns.
And, of course, I saw THE HATEFUL EIGHT in time to make this list, but I just talked about that one.
Looking forward to 2016! More horror, please?
Remo D.
THE GOOD
The first decent horror release I caught in 2015 was one of the most acclaimed: the indy sleeper IT FOLLOWS, which was both thoughtful and creepy as sex stopped being a mere metaphor and became the source of the relentless and tangible threat.
UNFRIENDED was certainly one of the better examples of minimalist horror; holding one's attention without ever leaving a progressively lethal video chat session.
EX MACHINA is certainly more science-fiction than "horror," but the element certainly came into play before it was all over--the film itself was one of the best works Stanley Kubrick never lived to make.
THE GALLOWS played especially well for anyone who happened to be involved in live theatre--the setting and some genuine surprises brought this out of the "found footage" rut.
I didn't care much for THE GIFT when I first saw it (and again, it's pushing it to consider it "horror") but I had reason to re-evaluate what had gone on before and I certainly have to hand it to the cast for making it work. That dream sequence was still a cheat, though.
SINISTER 2 was about as good a sequel as could have been made to Scott Derrickson's original (which, but for the box office, scarcely called for one), but it still fell short of the top slot.
THE VISIT was a playful and creepy surprise from M. Night Shyalaman--moving to a micro-budget and a lack of 'name' stars (not to mention a lack of pretension) was the best move he could have made.
KNOCK KNOCK was one of several 'limited-release' films I only saw on-demand, but Eli Roth's remake of DEATH GAME featured an outstanding cast and proved that he could pull off an effective gore-free feature... even if it did raise some very disturbing questions (try this scenario with two men and one single mother and you've automatically got a completely different film).
Also straight to cable (for the most part) was the intense Western BONE TOMAHAWK... essentially THE SEARCHERS meets CANNIBAL HOLOCAUST. Even though it's more quest Western than "horror film," it needs to be invoked in light of Eli Roth's OTHER 2015 release (later).
CRIMSON PEAK was a sumptuous Gothic terror tale as only Guillermo del Toro could have pulled off and one of the finest films of the year as I saw it.
KRAMPUS was good anti-Christmas fun from the director of TRICK 'R TREAT and is going to stick around for many a Christmas to come.
And my absolute favorite of 2015 was the one virtually nobody saw... VICTOR FRANKENSTEIN was a return to all the things that make classic monster movies CLASSIC monster movies... and I enjoyed every minute of it.
THE MIDDLE GROUND
Not much to mention here... 2015 horror either tended to be very good or downright awful.
THE LAZARUS EFFECT wasn't bad for a 'found footage' Stephen King rehash (without Stephen King).
Eli Roth's 2013 holdover THE GREEN INFERNO was a typically raucous and attitude-filled take on the Italian cannibal movies of the 1980s, though it trailed off into a completely unsatisfying ending. And then BONE TOMAHAWK had to come along and show us how it's REALLY done.
And SCOUTS GUIDE TO THE ZOMBIE APOCALYPSE was one of those movies that I wanted to love (after it got off to a great start), but it ran out of steam long before it ran out of sight gags.
THE BAD
Okay, nobody saw VICTOR FRANKENSTEIN. But would it have KILLED Hammer films to have tried something like that instead of the deadly dull and utterly pointless THE WOMAN IN BLACK 2: ANGEL OF DEATH?
How about that POLTERGEIST remake? Oh, you skipped it? Lucky you. I bit. So did the movie.
INSIDIOUS CHAPTER 3 was just what we were all waiting for... a prequel featuring a character whose hash was already settled on screen. Had this been the VERY first film in the series, it might have climbed a rung or two. As such, it's completely redundant.
THE VATICAN TAPES was yet another "found footage" movie that was going to blow the lid off... just what, exactly? Do CRANK 3-D before it's too late, okay?
And speaking of "found footage?" After PARANORMAL ACTIVITY: THE GHOST DIMENSION, we just may have finished it off.
But the very, VERY worst film of 2015 (and don't take that as a recommendation) was the pathetic, boring, shrill and utterly worthless THE HUMAN CENTIPEDE 3: FINAL SEQUENCE. (Notice how I did NOT use the word "offensive" no matter how the film begged me to?) This one-trick pony should have been put out to pasture a LONG time ago.
Okay, let's run through the franchises and the other et cetera...
Superagents: I wouldn't mind seeing more KINGSMAN: THE SECRET SERVICE, that's for sure. And SPECTRE continued to fine-tune the edge between classic and new-age Bond to highly-entertaining effect. WILD CARD was an okay remake of HEAT with Jason Statham in for Burt Reynolds... and Statham was certainly one of the best things in SPY (much as I dislike seeing him play second banana). On the other hand, THE TRANSPORTER: REFULED proved they could carry on that series without him--or it would have had anybody gone to see it. But the most shamefully underrated and ignored such release of 2015 was Guy Ritchie's good, old-fashioned 60s spy take on THE MAN FROM U.N.C.L.E.
Superheroes... THE AVENGERS: AGE OF ULTRON was a surprisingly lackluster followup to the "sure thing" franchise, but I'm still looking forward to CIVIL WAR. ANT-MAN was a lot of fun, of course. FANTASTIC 4 was anything but.
Other franchises included the breathtakingly awesome MAD MAX: FURY ROAD, JURASSIC WORLD (stupid characters but super monsters), the completely wonky but hugely entertaining TERMINATOR: GENISYS, the snore-inducing extended conclusion to the HUNGER GAMES saga (MOCKINGJAY: PART 2) and, of course, STAR WARS: THE FORCE AWAKENS which made a liar out of my psychic powers and rekindled the old magic along with some new in a way the prequels never could.
Non-franchise sci-fi (minus EX MACHINA) that I saw included the amusing but highly derivative CHAPPIE and the high-concept (and little else) PIXELS.
Non-genre franchise films: VACATION was still pretty funny, and CREED was expertly-handled ROCKY formula.
And in the days while we still had an Osio ("arthouse" to you out-of-towners), there was a last round of low-profile suspense dramas and assorted miscellany... THE LOFT was an engaging remake of a Dutch "locked room" mystery I never saw. MAPS TO THE STARS was David Cronenberg at his most depressing and ugly. WILD TALES was a whoppingly good "revenge" anthology--not to be missed! CUT BANK was a disappointing FARGO wannabe, and THE LIVING (the last film I saw to date at the Osio) was a sad and ultimately predictable take on the futility of vigilante revenge... but the latter two films DID feature some surprisingly strong psychopathic turns.
And, of course, I saw THE HATEFUL EIGHT in time to make this list, but I just talked about that one.
Looking forward to 2016! More horror, please?
Remo D.